Release Day: The Bird in the Herd

The egret has landed!

 

19 years ago, I wrote a story for my two farm boys. It’s been a process steeped in memories;
* bouncing ideas around the kitchen table with my parents and sister,
* conferencing with my two small boys (my first and cutest editors),
* truth-testing countless versions and illustrations with my hubby, and
* always, the subtle arrival of my youngest whenever I read it aloud, because the rhythm of the rhyme would draw him every time.

The text was used as an illustration prompt at the 2012 CYA Competition – and Renee Treml’s simple, colourful illustrations caught my eye. They were perfect for young children, and highlighted the humour in the story. We met at the same conference, and I loved the backstory to Renée’s entry – but that’s her story to tell!🙃 Needless to say, I have loved sharing this process with Renee! And I cannot say enough how much I appreciate the team at CYA Conference. This is the third book I have had published, as a direct result of that conference! If you are serious about writing for children, you must check it out.

Renée and I worked with a wonderful team at UQP, who brought colour to the text, and offered an extended page count that gave each character their own spread, and allowed the story to fully develop its rhythm, so that it mooches along like a herd of cattle. (How appropriate!)

19 years ago, I noticed a bird in the herd that stalked as it walked past my kitchen window – and I’m so glad that white cattle egret gave wings to this story. Gratitude to everyone who has played a part in getting us to today – release day. Fly little book-bird!💕

Lamipofri: Named and Framed

Today I’m sharing a new form of poetry with you. It’s called a lamipofri. 

 

Framed:

heads alert
eyes watchful
they scent the moment,
hold pause –

then resume;

munching,
mooching,
……..mowing;

distant cattle
and a window into
my morning view.

Very rough draft © Kathryn Apel – all rights reserved.

 

By this point you are probably wondering; What is a lamipofri? It’s a poetry snapshot that’s quickly scribed, to give people an insight into the world around you at a given point in time – that point being the last minute as you’re scrambling for a Poetry Friday poem to post! Hence the name: LAst MInute of a POetry FRIday! The trick with the lamipofri is to pause, take a moment to look around and share that moment with others. But don’t take too long, or the moment will pass!

Next week, I’m hosting Poetry Friday right here! (You have no idea how many times I’ve scared myself, thinking the date has passed me by and I’ve missed it!) There will be no lamipofri next week! The really exciting news is that, between now and next Friday, I have a new picture book launching into the world, published by UQP, with vibrant, joyful illustrations by Renée Treml, and I am sooo looking forward to sharing more about that with you. For today, here is the cover, artwork by Renee and design by Jo Hunt.

Isn’t it glorious? Reason to smile, right there!

Almost 19 years after the first draft was penned, I will be as happy as a calf in rain, to share this with the world! (There is no rain in this book – but there is a calf, with a whole lot of sentiment attached!)

Thank-you to Karen at Karen Edmisten* for hosting us today. If anyone else is ever inspired to write a lamipofri, tag me in. (You’re not too late for today.😉)

Katrina Germein – Goodnight Poem

This week I’m sharing a pre-loved poetry treasure that I found in a local op shop. It’s one that was known to me, because it features my lovely friend, Katrina Germein. I had given a copy to my nieces many years ago – and now I have one for myself. Today I’m sharing Katrina’s poem in the collection, with illustrations by Katharine Lahn.

Goodnight

by Katrina Germein

Goodnight puzzle,
Goodnight chair,
Goodnight train set,
Goodnight bear.

Goodnight hammer,
Goodnight blocks,
Goodnight trousers,
Goodnight socks.

Goodnight bathtub,
Goodnight duck,
Goodnight turtle,
Goodnight truck.

Goodnight fingers,
Goodnight toes,
Goodnight tummy,
Goodnight nose.

Goodnight moonbeam,
Goodnight tree,
Goodnight stars …
and goodnight me.

(Shared with permission)

The book has since been rereleased in hardcover, with new cover and internal artwork by Doris Chang. You’ll find it on the Little Book Press site.

There’s nothing like a snippet of poetry to sing you gently into the weekend. Thanks Katrina, for letting me share, and Jone at Jone Rush MacCulloch, for hosting the Poetry Friday gathering this week. 

Introducing Janet Turner

Jan is hosting the Poetry Friday roundup today at Bookseedstudio with the optional theme: Sing!  Does it work that I am singing Janet Turner’s praises? (I’m pretty sure you all know I’d also like to be signing in the rain…💦🙃) Janet Turner is the illustrator of ‘Up and Down on a Rainy Day’, published by the State Library of Queensland. I thought it would be fun to get to know a bit more about Janet, and her work.

Welcome to the blog, Janet. It’s been fabulous sharing the creation and launch of our picture book – your first book! I remember the arrival of my first book. It involved screaming. Lots of it. Can you give us a sneak peek into Janet Turner’s new book moment?

Well, mine is on record, so a little more reserved!! I first saw the finished book while doing an interview. (You can see the interview here.) It was so wonderful to see it full size and in print rather than through an iPad screen! My favourite part was sharing with my loved ones. I didn’t tell my partner Brandon that I’d dedicated the book to him, so it was very special seeing his reaction to that and the book as he’d seen the whole process.

You’ve worked on some other exciting projects prior to ‘Up and Down on a Rainy Day’. Can you tell us about some of them?

I sure have worked on some amazing projects! My favourite would have been while I was still studying at uni having the opportunity to create the visual identity for the Gold Coast Commonwealth Games Village. This included designing the logo and additional icons that were used for signage, information materials and merchandise across the village! The design took inspiration from the natural beauty of the Gold Coast (and Queensland). Thongs on the beach, a pandanus for rainforest, an Akubra hat for the outback, snorkel and flippers for the reef, a surfboard for the ocean and a sunset.

What was your medium/process illustrating this book?

I create my work digitally using an iPad. The process began by sketching out our main characters (including my favourite – the excitable pup). Once we settled on those, I worked to create small thumbnail sketches to map out the story, then turned them into final sketches. The fun bit came next… adding all the colour and really bringing the story to life!! A lot of inspiration came from my own childhood, growing up on the farm, and some gorgeous photographs from Kat’s farm! Kat and I both had Jack Russells in our lives, Jonty and Buddy, so the pup in the book was a tribute to them.

Have you spent much time on a Queensland farm? Can you share your favourite farming memory?

I haven’t spent much time on a Queensland farm, but I did grow up on a farm just outside of Inverell, inland northern NSW. I have so many fond memories of the farm, most of them spending time with dad feeding stock, fixing leaky dams or hunkering down in the wool while he sheared the sheep. I did love raising poddy lambs though, so that’s probably one of my favourites, especially when they remember you once they are back in the paddock.

What is your favourite thing to do on a rainy day?

Depends on the day… When it’s a cold rainy day, there’s nothing better than curling up in a blanket with a hot chocolate. I’ll most likely be illustrating away! If it’s a summer storm, I love nothing more than watching nature’s light show! I have a particularly good spot to watch them back on the farm on the veranda.

What is your favourite spread in the book – and why is it special to you? 

Argh, they are all so wonderful. I do love the family, dripping wet and muddy, coming home after a long day of fun on the farm. There’s just something special about seeing the family together like that. Honorary mention in the dam spread. There’s so much fun and it always makes me chuckle.

What is one thing you remember from Janet Turner’s first five years?

I’ve always been creative (even at a young age) and there was this one time I may have gone just a little bit overboard. I would have been 3 or 4 and found myself some blue paint. Not only did this paint end up all over me but also our front verandah. Needless to say, my parents weren’t too impressed! I sure had fun though.

Where can we find you online?
You can check out my Instagram @justjanet_creative or visit my website janetturnerdesign.myportfolio.com

Thank-you so much for sharing, Janet – and especially for those adorable photos! It was a lot of fun working on this book with you, and I look forward to seeing what you create next! (I’ve heard that blue verandah’s are making a come back! 😹)

If readers are looking for activities to go with ‘Up and Down on a Rainy Day’, don’t forget to check out the Rainy Day Stuff on my blog, where you’ll find finger puppet templates, a colouring page of the adorable Jack Russell dog Janet mentioned, and much, much more!

Up and Down on a Rainy Day – New Book!

This week I was thrilled to celebrate the online release of my second picture book – more than eleven and a half years since my first. (How thankful I am for verse novels in between. And more picture books in progress!)

‘Up and Down on a Rainy Day’ is a simple concept book for the very young, delightfully illustrated by Janet Turner and published by State Library of Queensland in the Stories For Little Queenslanders series. The adorable illustrations capture some of my best memories of rainy day play with our boys.

Stories for Little Queenslanders is a First Five Forever initiative, bringing fun, high-quality picture books full of familiar local places and animals to Queensland kids and their families…stories inspired by people and communities around Queensland. As a teacher, I have seen first-hand how parents who read and interact with their children, set them on a positive path through their schooling. It doesn’t matter how much education parents have had, or what their careers are – if they spend time reading with their kids, it shows! I’m thrilled to have a story selected in this new project that promotes Queensland stories – and the joy (and value!) of reading together during the early years. Cue the warm and snuggly (sometimes wriggly) memories of reading with our farm boys.

The project was birthed during COVID, and was a whirlwind ride to completion. But if there was one thing we needed during COVID it was a creative purpose! I’m thankful to have had this exciting project bubbling away. And to work with such a wonderful team. State Library has created a wealth of content to support the book – and the series. There’s online readings, audio books and digital version to download. There’s even a digital flip-book. As with all my books, I’m collating links in the dropdown tab of this site. Click on Books and scroll down to ‘Up and Down on a Rainy Day‘.

Activity booklet

Click to download.

Books in the series are available in all Queensland Public Libraries and Indigenous Knowledge Centres – and there are very limited hardcover editions available for sale at the State Library Shop.

Today, I’m uploading ‘Play by the Book: Up and Down on a Rainy Day‘ – a booklet with 16 different activities to engage young children and enhance the reading experience of ‘Up and Down on a Rainy Day’. (Think water-play, mud and fun! Also puppets, drama and colour.) These activities have been prepared with the support of Regional Arts Development Fund, Bundaberg Regional Council and Arts Queensland. I am so thankful for their support of creatives at all times, and especially during this difficult year!

2020 has been challenging, but I am incredibly thankful for this project. And I’m so excited to finally be able to share the news! It didn’t rain on the day it arrived in my letterbox. It didn’t rain on launch day. (We had 20mm in a cracker thunderstorm the day before, though.⚡️) When we get our downpour, you can be assured that I will be UP and down, celebrating!😅

This post is linked to Poetry Friday, hosted by Buffy Silverman – another kidlit poet who loves getting outdoors. Thanks, Buffy!

ping-pong ping-pong
even frogs
sing in the shower

© Kathryn Apel
🌧
🐸

Two Aussie Verse Novels – and Picture Book NEWS!

How lovely to be with you all again – and have you gathering at my blog for the Poetry Friday link-up.

Today I wanted to share two recent Australian verse novels with you, both published by UQP – and both written by friends.


 

‘Leave Taking’ was written by Lorraine Marwood, whose earlier verse novels, ‘Ratswhiskers and Me’ and ‘Star Jumps’ (which won the Australian Prime Minister’s Literary Award for children’s fiction) were amongst the earliest verse novels I read and loved. I’ve known Lorraine online for more years than I can count – and finally met in 2014.

‘Leave Taking’ is a story about grief and farewells; letting go – of places that are a part of the fabric of our lives; of people, forever in hearts and memories. Leaving any home involves a tearing away, but a farm that has been in the family generations surely leaves a bigger hole. And a farm where your little sister once played with you … that your Mum and Dad need to leave, to make new memories … Such a bittersweet letting go.

‘Leave Taking’ is a quiet, story about a country kid called Toby – but the underlying grief constantly tugs at your heart. We never had a chance to know Leah – but through Toby’s memories, and Lorraine’s words, we do.

‘Little Wave’ was written by Pip Harry, her first verse novel – and foray into the younger market. I connected with Pip in 2014, when our UQP books released the same day, and it is always lovely to cross paths online. Even lovelier to meet in real life in Singapore last year, when we celebrated the announcement of our books on the CBCA Notables list. Pip mentioned ‘Little Wave’ during our catch-up, and I was eager to read it.

 

‘Little Wave is the story of Noah, Lottie and Jack – and a city school’s endeavours to bring a country class to the city for a beach visit. Each child has challenges they are dealing with – but as the story ebbs and flows, beautiful friendships are formed, and characters stretch and grow.

‘Leave Taking’ and ‘The Little Wave are two very different verse novels that I highly recommend.

Never give up on your dreams!

To close my week of hosting, I am so excited to share some good news!

More than 10 years ago, my rhyming picture book, ‘This is the Mud!’ released … and this week we signed the contract on my second picture book – another rural rhymer featuring … beef cattle! (And a bird in the herd.) I’m super-thrilled to be working with the talented and lovely illustrator, Renee Treml, and the beautiful team at UQP. There is a CYA connection … but that’s for another day! (Yay, CYA!)

It’s been a long hard road to a second picture book contract – with some lovely verse novel diversions along the way. This cumulative tongue-twister story was written for my toddler farm boys, way back in 2002. (They’ve grown a bit, since then.) Maybe one day they can read it to their own kids – with illustrations! (Those kids might be down the track a bit, yet.😆)

If you’re joining in the Poetry Friday Party, please leave your link below. I’m looking forward to doing the rounds and seeing where you are all at.

Have a great Friday – and into the weekend.

You are invited to the Inlinkz link party!

Click here to enter

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CYA 2019 – Conference & NEWS!

Part Two – CYA Conference Notes

Following on from last week’s post about the three-day CYA Event recently in Brisbane…

The actual CYA Conference started with a buzz! Competitions winners were announced and I was thrilled (and even relieved) to find that my trio of rhyming PB manuscripts won the published author competition, judged by Luna Soo (Hardie Grant) and Alyson O’Brien (Little Hare). A CYA win is a massive injection of confidence and affirmation, and I was so thrilled! It was wonderful to later have time one-on-two with Luna and Alyson, discussing my work, and hearing their thoughts/feedback. (They are both so lovely!) Thank-you to Alyson and Luna for their belief in my work, and to the whole tribe of CYA organisers and volunteer judges who bring this competition to fruition!

Photo credit: Peter Allert/CYA Conference

From there I went to my first editorial one-on-one, which was insightful, but also discouraging. It was a story I heard from a number of publishers throughout the conference – and have heard often before – about a reluctance to publish in rhyme. Rhyme is lost in translation – so it’s hard to ‘sell’ to Sales & Marketing. But kids (and parents!) love rhyme! And there are a lot of English-speaking countries in our world! And having written rhymed and unrhymed picture books, I know the time and tenacity taken to get rhyme right! I loooong for a Sales & Marketing department who will love (and value!) rhyming PBs like I do.

Then onto the sessions of the day – when I wasn’t popping out for one-on-one editorial interviews…

Dee White – Pitch Perfect

I have had the benefit of Dee’s attention to details in pitching. She knows her stuff – and nails it!

Elements of an Effective Pitch:

  • Hooks the reader
  • Connects the reader with MC
  • Hints at what’s to come
  • Sets context – genre/readership
  • Shows where it might sit in a bookshop / comparative titles

Do’s and Don’ts

  • Don’t introduce too many characters.
  • Hint at story arc.
  • Don’t try to tell the whole story – MC, story problem & why it’s getting worse.
  • Include themes.
  • Clear & coherent
  • Why it’s unique and appealing to readers
  • Establish personal connection – why you and why now?
  • Be proud/passionate
  • Be prepared for questions
  • Practise your pitch
  • Be prepared to take on feedback
  • Try not to read too much if asked to read a sample. (Start at the start – and edit the text so that it is punchier than the actual start to the novel.)

Photo credit: Peter Allert/CYA Conference

Belle Brooks – Self-Publishing
This was the most enabling presentation I have seen about self-publishing. I took pages of notes, and started to see how it could be a viable option for me and a number of manuscripts I believe in, if I run out of options (or heart) with traditional publishers. Much of my notes would only make sense in context, but here are some takeaways…

• You must have a professional editor, who hears your voice and doesn’t try to change it – but helps you bring the story out.
• Don’t fluff your book with ‘content’.
• Know your strengths. Accept your faults.
• Not everyone loves your stuff. And that’s ok. Everyone judges.
• There’s a market for every book.
• Own your voice. Own your style. You are YOU.
• When you get bigger, Amazon works harder for you – because you make them money.
• Always work on your backmatter … Leading them where they need to go. Constantly leading them to your best work.
• Three stars is a good review.

Belle’s tips on blurbs:

  • A blurb is critical to success – You can change your blurb on platforms.
  • Appeal to your reader – not yourself. (Belle writes the blurb before she writes the books – which means there is no temptation to include too much detail.)

Photo credit: Peter Allert/CYA Conference

Isobel Carmody – Writing YA

Isobel spoke freely, with no notes. Some of the gems gleaned:

To write is to be. We are a tapestry of everything we’ve ever written.

  • Or job is not to be constrained, but to stretch out beyond the edges.
  • What do you want to give the world? Nothing.
  • How do I write like a child? The child in me it’s still there. Same for YA.
  • A relief to let go of the adult world.
  • Write to your deep-seated questions.
  • Write about the ideas that are in you!
  • In children’s books, children grow – but they don’t grow up! (Margaret Wild)
  • The choices we make as children/young adults inform the choices we make as adults.
  • Writing is an attempt to believe that humans can get better.
  • Issues books – Approach your craft/subject with a humility. Don’t use it to push an issue.
  • Write your first draft. Then look for themes/issues.
  • Write inwardly. Write the book. Worry about where it lands afterwards.
  • If the story’s not working for you, don’t push through. Step away. Give your mind the fallow times.
  • Editing is an essential part of the creative process. Dig down into it for themes, nuance, etc… Create the sense of reality.
  • If you’ve written deeply from yourself, you will not get bored during editing.
  • Go deep. Into yourself. Into the moment. In your writing.
  • A great book will make it through.

CYA Closing Panel

General Takeaways:

  • Market down 2.6% but children’s writing up 1.2%.
  • Middle grade has been booming for 4-5yrs. Is doing really well.
  • YA is down. Publishers trying to bring YA down to your middle grade.

Alex Adsett (Agent):

  • It’s not an easy industry for author/illustrators. It’s not an easy industry for agents/editors either.
  • Always write what’s in your heart. Let us worry about how to fit it into the market.

Debbie Lee (Ingram – Sparks)

The Bundy Connection!

  • Wherever you’re at, work with professionals.
  • You are a business.

Davina Bell (Affirm Press)

  • Looking for more junior fiction.
  • Trends: girl power / child activism/climate change / diversity

Mary Verney – Sydney office. (Penguin Random House)

  • Lots of buyers are asking for good non fiction for kids.

Lucy Bell (Pantera Press)

  • Has mostly acquired from the slush pile.
  • Looking for activism/climate change. Haven’t published many PBs, but possibilities with non fiction/activism books.

Indie is often a stepping stone. It’s not an us and them. We’re part of the same conduit and can coexist.

Thank-you to the Bundaberg RADF committee that made attendance at all these conference events possible. There is still one day of notes to catch you up on – from the Everything is a Genre day of conference. Tomorrow (Saturday) from 10-11am I will be feeding-back in person at the Bundaberg Library. You can register here.

Margaret is collecting Poetry Friday links a Reflections on the Teche – with a teaspoon and a bit of string.

CYA 2019 – Bootcamp Notes

Part One – Bootcamp

The first weekend in July, with thanks to an RADF Grant from Bundaberg Regional Council, I attended the 14thannual CYA Conference in Brisbane, for authors of Children’s and YA books. I attended the first CYA Conference, in 2006 – and it has grown a lot since then. Not just in numbers, but in duration. This year it transitioned from a one-day conference, to a three-day event – expanding into the adult market, with one day devoted to ‘Everything’s a Genre’ – and writing Bootcamps offered over three days. I am mightily thankful for the Bundaberg Regional Council RADF committee for awarding a grant allowing me to attend the full three days, and meet one-on-one and in small groups with publishers and editors. It was the best professional development I have ever received and I am sincerely, heartfelt thankful!

On Friday, I took part in the inaugural bootcamp – authors working with an editor in small groups to gain feedback on a manuscript; editing suggestions, and opportunity to rework the manuscript, to then receive further feedback. I was in a picture book group with Lisa Berryman, children’s publisher at Harper Collins. Over the course of the day, we shared in our small groups, but also came together for two large panel discussions, hearing insights from all the editors in response to questions posed by ‘head ranger’, Dee White.

Friday’s Bootcamp editors: Clare Hallifax (Omnibus), Elise Jones, (A&U), Lisa Berryman (Harper Collins), Kristy Bushnell (independent), Maryann Ballantyne (Will Dog), Sarah Davis (Walker) and Lauren Clarke (independent).

DW: What makes you want to read further?

CH: I need to fall in love with a character. (Author voice is character, as well.)
LB: Very much the idea – setting/genre.
EJ: A book with heart.
LC: Proactive characters
SD: Narrative. Storytelling in an image. Potentiality. What happened and what is going to happen?
MB: Always looking for the bigger story.
KB: Character and personality onto the page. The emotion. Show (don’t tell) straight away.

“Voice is a writer who is in control of his craft.”

There was some discussion about author voice. And what makes it distinctive. And if it could be taught/developed. Someone shared a Paul McDermot quote, “Most things are fixable – except voice.” Nearly everything about this discussion sparked thoughts of poetry, for me. You want to develop your voice? I say play with poetry!

Other Takeaways:

SD: Your first idea isn’t usually your best. It’s too obvious.
SD: Write an evocative text that creates atmosphere.
EJ: Place the reader – at the start of the book and at the start of each section break.
CH: Write a story – not a list. And read it aloud.
KB: Know your characters and your problems and feed them in as necessary. (Not TMI too soon.)
LC: Set the scene and give need-to-know. And a hint of tension. Peril or dissatisfaction.
KB: Personified settings. Sets the mood and tone of story. An emotional connection. (And again I was thinking … poetry!)
?: Stage directions moving the characters around. Write it subtly. (Writer in control, with the help of their publisher and editor.)

On Submissions:

LB: Stating similar titles is helpful for Sales & Marketing – and how to pitch it. Compare for things like tone/feelings.
MB: Doesn’t want illustration notes.
LB: Illustrator notes are often helpful/necessary.
CH: If the narrative hinges on illustrations, include notes.
LB: Likes an elevator pitch – the essence of the story, like a mantra.
LB: Feedback is a gift. It’s not personal. It’s not about you.

Brittany, Kat & Meredith – the Dorothea Mackellar Poetry Awards connection.

Friday Night was the first of the Networking Dinners, with kidlit creatives converging from all over the country. Networking is so important! And also so much fun! I did a double take when I thought I recognised the face across from me at dinner… and first name matched… and indeed, it was Brittany, Poetry Awards Officer for the Dorothea Mackellar Poetry Awards, who I have had much email/phone contact with in recent months, in my role as judge. (Another reason why I have been very busy of late – reading almost 5000 poems and judging across four categories! Almost finalised. And what a task – a joyful task – it was!) Brittany and I had never met, (had seen photos) and needless to say, we each had no idea the other would be at CYA! Also in attendance was the Secondary School’s judge, Meredith Costain.

Day One done! Watch for more blog posts to follow, including … my exciting news!

If you’re in the Bundaberg Region, I will be sharing fast facts from CYA in a one hour session at Bundaberg library, on Saturday 27th July, at 10am. I’d love you to join me!

For now, head across to Carol’s Corner and muscle up on poetry… or melt on puppy love. Thanks for hosting Poetry Friday today, Carol, and sharing Rooney (and your poem) with us.

A Weekend With Dame Lynley Dodd

Last weekend I had the pleasure of meeting Dame Lynley Dodd, at three different events at the Bundaberg Art Gallery.

Friday night was for educators and parents. In a relaxed conversation with curator Penelope Jackson, Lynley shared snippets of her life story in a chat that was both entertaining and enlightening. Some little treasures I took away;

On language and word choice: “It’s about introducing them in the right place and having fun with it. Context makes meaning. And I’m not at all repent about that.” (Hear, hear!)

Lynley shared two anecdotes where children have adopted her rich vocabulary. When out at the shops, and asked what he would like for tea, one young lad replied, ‘A snippet of veal.’ In another instance, a couple were having a disagreement, when their child piped up, ‘Stop that cacophonous noise!’

“Unless your name is Julia Donaldson, Lynley Dodd or Dr Seuss, never write a story in rhyme.” Mem Fox

Between 1982 and 2010, Lynley completed one book per year. (Hairy Maclary has got to be a bit big for his boots, and now takes some managing – and time –  which has meant a drop in productivity.) In January, she starts perusing her ideas folder, for inspiration. During the ‘writing’ process, she balances words and illustration – visualising what the artwork could be. By August she has a small dummy to send to her publisher. September she starts final artwork for a December completion.

To be honest, I was most impressed (and encouraged) by that first six months! We all know how effortless Lynley Dodd’s rhythm is – but perfect rhythm and rhyme is a craft and it takes time to get it right. Even Lynley Dodd has to work at it!

On Saturday the families were out in force, for a festival fun day in the gallery park. There were so many there, when Lynley moved inside for the book signing, the queue meandered throughout the whole lower floor of the gallery.

On Sunday Penelope Jackson lead a small group Writing Masterclass, with Lynley adding the following snippets of wisdom throughout the afternoon.

What Makes a Good Story?

  • When writing a PB, you have to go down one road to the end, with no diversions.
  • A read-aloud needs to have flow and resonance – it needs to be singable.
  • Everyday stories are often the best ones – relatable and realistic.
  • Five Comfort Elements of a good story:
    1. Rhyme
    2. Rhythm
    3. Humour
    4. Suspense
    5. Home

Lynley says all writers need an ideas notebook/folder. A lot of Lynley’s inspiration is drawn from newspaper clippings. When discussing the legality of writing other people’s animal stories, Lynley said, ‘change them – make them your own.’

Lynley emphasised that her stories always start with 6mths thinking/tinkering time; marinating ideas. ‘I’m a firm believer in putting things aside and coming back to them.”

Illustration:

  • The last picture is very often the one Lynley thinks about first.
  • Visualises images whilst writing text.
  • Sends a detailed dummy in August – doesn’t change much after dummy stage.
  • Pencil rough at final stage – including the cover. (Lynley does her own lettering.)
  • Uses a lightbox to transfer pencil roughs to final artwork.
  • There was a discussion about the difficulty in finding good quality paper these days, that doesn’t dry too quickly and take the colour and life out of an illustration.
  • Uses gouache pens and fibre-tipped waterproof pen.

“It can be a bit soul destroying, sometimes, when the proofs come back and they’re not the colour you’d envisaged.”

We were all delighted when Lynley read her latest picture book, ‘Scarface Claw Hold Tight!’ – with beautiful pausing and expression.😻

To view this week’s #PoetryFriday link-up, (and some lyrical pi-ku) visit Margaret, at Reflections on the Teche.

World Penguin Day Poem – Adélies

Technically yesterday was World Penguin Day – but since yesterday was ANZAC Day, deserving of its own reflective contemplation and gratitude, I’m running to American time and posting my penguin poem for Poetry Friday.

A number of years ago I was given Irene Latham’s name in Tabatha’s Yeatts’ Poetry Swap – which absolutely thrilled me, because not only is Irene such a beautiful person, but we also share a love of Antarctica – and we had in fact just done our own little book-swap earlier that year… with Irene sending me her picture/poetry book, ‘When the Sun Shines on Antarctica’. (I just hunted up the post I did at the time of receiving Irene’s book, and funnily enough, it was just-on two years ago.)

My favourite poem from the book was, ‘Adélie Seeking Adélie‘… so when I was given Irene’s name in the poetry swap, I knew what poem I was choosing for my mentor text. For whatever reason, I never did get to share it on my blog – so I’m sharing it here today.

Irene’s poem runs down the left. The photo is just one of my (many!) faves, taken from our time in Antarctica, earlier that same year. (You have no idea how much that holiday has influenced my writing – or how much I still yearn to go back… (It is like a physical tug inside me, I tell you!))

Carol Varsalona is hosting Poetry Friday at Beyond Literacy Link. I’m sure she will have a whole bunch of poetry treasures for us. And don’t forget to get up-to-date on the Progressive Poem, with Linda @Write Time. Not many days left, now!

In the meantime, scroll through some penguin hashtags and enjoy these shuffling, sliding, soaring, sleek little characters. Like these two!🐧🐧 (I would include the original @AusAntarctic post, if I could find it, but alas…)